
Review: The Occupant by Jennifer Maier
How would you feel upon discovering the objects of your daily, habitual use—ordinary objects of…
How would you feel upon discovering the objects of your daily, habitual use—ordinary objects of…
At the end of Roger Scruton’s short book On Hunting, an out-of-print memoir about the…
I play electronic music, experimental ambient sets or hypnotic techno sets. It’s exciting to begin…
If you count my two unsuccessful (all cough no high) undergraduate attempts to smoke weed…
‘I wish I could think of a positive point to leave you with. Will you…
Christopher Tolkien, referring to his father, defined what J.R.R. called his ‘secondary world.’ He said…
The poet Haley Hodges has recently written a winsome essay for Cassandra Voices claiming that…
Confessional poetry has had a haunted reputation from its post-war onset. The literary legacies of…
Michel Houellebecq’s latest novel Annihilation offers a lengthy (526-page) disquisition on the journey to death,…
In an age of unrestrained Russian-bashing, the figure of Fyodor Dostoevsky might seem a provocative…
With Christmas fast approaching, a familiar debate will resume in homes, offices and their Zoom…
Cassandra Voices is delighted to be collaborating with the charity Collateral Global on a photographic…
I spent twenty years working as an adventure sports guide. In my early twenties, I…
In search of the my favourite troubadour all roads lead to Flanders, Belgium, then on…
One must begin by asking a begging question: is literary criticism, in Ireland, dead? Recently,…
Out with the old, in with the new. In the same month that Don’t Look…
Content is a glimpse of something, an encounter like a flash. It’s very tiny –…
“Trump Inhabits Trumpistan”, writes Chris Agee in his rampaging poetic satire, Trump Rant: “Trump Is…
Recently walking into a garage to pay for diesel, I scanned the news stand, as…
Few writers can do grief and loss like John MacKenna. He is, without question, the…