Peter O'Neill 
If stylistically Francesca Banciu’s latest novel translated into English Fleeing Father (Vatherflucht) is a much simpler construct than her previous incarnation, Mother’s Day – Song of a Sad Mother, it is written in the same inimitable prose, rendered beautifully by Banciu’s publisher, Catharine Nicely with Elena Mancini as translator. I was immediately reminded, on reading … Read more
L’histoire naturelle, ce n’est rien autre que la nomination du visible. Michel Foucault – Les mots et les choses Walking with my dog this morning, I was struck by the various rewilding projects which certain aspects of my local community have been embracing. For example my twelve-year-old daughter’s primary school, in its wisdom, has decided … Read more
For the purpose of perspective, I should like to carry out a short comparative study of two poems treating the subject of the sea. The first poem I should like to focus on is the great sonnet by Charles Baudelaire L’Homme et la Mer, whose composition dates back to 1852. The second poem is a … Read more
Charles Baudelaire (1821–1867) reshaped the trajectory of modern literature. In acknowledgement T.S. Eliot famously called him ‘the Father of Modernism.’ Many monolingual English speakers might be unaware that, along with Shakespeare and Dante, Baudelaire has been instrumental to how we in the West perceive the world. As an example, I think back to the early … Read more
Une Charogne (1859) is among the most important poems of the 19th century, containing all of its author’s ground-breaking aesthetic. Our own aesthetically challenged century could learn a lot from it, in terms of the aesthetic of rupture, spleen and discord. It is Baudelaire’s response, in a sense, to the early Romantics, such as John … Read more
