Word came through from cousin Ed in Limerick: ‘Good news, I’ve a piano for you that’ll fit in Paul’s van.’ ‘Great stuff’ I enthused, blithely disregarding the challenge of getting it as far as my house in Sligo, let alone up the steps and through the door. Remarkably, cousin Paul agreed to make the trip … Read more
Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger.’ James Joyce, ‘Araby’, from Dubliners (1914) Nineteen Seventy-Nine was a big year for me. I turned eighteen, which meant I could vote, had I felt so inclined. I had my first … Read more
What makes for fine rhetoric in an age of disinformation? Clearly, this is distinct from the techniques employed by corporate motivational speakers, tele-evangelists or self-help gurus. A useful starting point is to examine Aristotle’s views on Rhetoric, who argued that speech can produce persuasion (pistis) either through the character (êthos) of the speaker, the emotional … Read more
I have been working in education for the last twenty-three years, and been publishing books as a writer over the last sixteen. I find disturbing the recent precipitous decline in reading and, consequent ignorance pervading contemporary culture. In response, in an effort to demonstrate its importance to my critical development, I would like to trace … Read more
Most people whose Irish childhood was spent between the mid-1950s and mid-1960s wistfully remember the comics then available. They were mostly published by the DC Thomson company based in Aberdeen, Scotland. The Beano and The Dandy were read by boys and girls, and girls’ comics like Bunty and the School Friend (this for older girls) … Read more
How would you feel upon discovering the objects of your daily, habitual use—ordinary objects of every imaginable function and variety—were inspirited, sensitively keen observers with their own desires, gripes, preoccupations, and ways of understanding the world? This is precisely the brain-tickling puzzle Jennifer Maier’s newly-released third collection The Occupant (University of Pittsburgh Press) shakes, opens, … Read more
‘I wish I could think of a positive point to leave you with. Will you take two negative points?’ Woody Allen, from his stand-up comedy routine (1964) Consider the facts: French writer Annie Ernaux has an affair with a young man, thirty years her junior (she was fifty-four, he was twenty-four), and writes about it, … Read more
The poet Haley Hodges has recently written a winsome essay for Cassandra Voices claiming that the Galactic Empress, Her Swiftiness, Queen of Ubiquity, is our “greatest confessional poet.” Let’s leave aside that Tay-Tay isn’t a poet—that song-writing and poetry-writing are different games with different rules—she is certainly a confessional, and one in the terms Hodges … Read more
Out with the old, in with the new. In the same month that Don’t Look Back in Ongar (2024), the final (27th) instalment of the Ross O’Carroll Kelly fictional autobiography was published, the Irish-language musical comedy Kneecap (2024) quickly became the year’s highest-grossing cinema release. The differences between these two are more than apparent: the … Read more
Life, as we find it, is too hard for us; it brings us too many pains, disappointments and impossible tasks. In order to bear it we cannot dispense with palliative measures… There are perhaps three such measures: powerful deflections, which cause us to make light of our misery; substitutive satisfactions, which diminish it; and intoxicating … Read more
Inspired by Michel Houllebecq’s novel Atomised (1998), Ben Pantrey considers the endurance of the Christian idea of the apocalypse in contemporary debates. Note: This article contains plot spoilers for Atomised! Atomic Particles Last week, I was in the magazine office, where I picked up a copy of Michel Houllebecq’s book Interventions 2020, which is a … Read more
